Wedding photography is one of the most common and most profitable forms of professional photography. While demographics and social trends can fluctuate from time to time, the need to preserve memories of marriage is a universal concept that does not recognize the border.

As a celebration of love and family, wedding photography can provide fun, interesting, and useful opportunities for using your technical and creative abilities. However, because marriage is an event once in a lifetime, his experience can also make stress and difficult, especially without knowledge, experience, and preparation. The purpose of this guide is to go beyond a list of haphazard wedding photography tips and give you a complete guide for mastery of concepts.

Wedding photography guide line line

  • Wedding photography cameras, lenses and equipment
  • Tips for wedding photography planning
  • Male Bridal Photography Tip
  • Bridal Photography Tips
  • How to photograph male accompaniment
  • How to photograph the bride and groom

1. Wedding photography cameras, lenses and equipment

Wedding photographers must start by buying what they need and increase along the way with more experience and income.

Wedding Photography Camera – The ideal camera for wedding photography like gay wedding photographer is a frame camera full of extraordinary low light performance, such as the Canon 5D Mark IV, Nikon D850, or Sony A7R. If you are unable to buy one of these bodies, consider buying or previous generations from these bodies.

Wedding Photography Lens – The ideal lens for wedding photography is “fast lens,” that is a lens that descends to a low aperture number. Most wedding photographers have a 24-70mm f/2.8 lens, 70-200mm f/2.8 lenses and one or two main lenses. For more information, see 6 we must have a lens for wedding photography.

Wedding Photography Equipment – In addition to cameras and lenses, you will need a set of bags, flash, lightning holders, flash modifiers, reflectors, and tripods.

2. Tips for wedding photography planning

Appropriate planning and communication before appearing at marriage can prevent problems and help create positive client experiences.

Moodboard –

 Marriage Moodboard is a Pinterest board or other visual documents that display images that are liked and valued by the client. The moodboard is not a “list of shots,” but a visual representation of the force and preferences.

Timeline review –

 Understanding, backwards and going forward, the entire time line of wedding photography. As a wedding photographer, you are responsible for ensuring that the day did not walk behind. Not staying timely can cause problems with the marriage coordinator, a shorter period of time to run critical shots, and unhappy clients.

Scout the location –

 scouting location with a timeline in the hand is very important for successful photo shoots. Because lighting is very important in photography, understanding which area in a wedding place that has the best light in every part of the day can ensure that you use the right location and the right time. Use applications like Sun Seeker to track the sun’s movements.

3. Groom Photography Tips

While many photographers focus, especially on the bride, make sure you give yourself enough time and creative energy to tell the side of the bride and groom from the wedding day story.

Details of Wedding Brides – Try to budget enough time to capture the details of the bride and groom’s clothes and other wedding items before they go to their bodies.

Photos of Male Bridal Journalism – When the groom and the male accompaniment are preparing, catching various angles of the moment. For a stronger story, make sure that you get a good mixture of extensive, medium and tight shots.

4. Bridal Photography Tips

The bride is undoubtedly the star of the show on her wedding day, but the list of shots that must be owned is no different from the groom. Focus on the following photos for the bride:

Bridal Details – Besides dresses, shoes, and rings, the bridal details often include a large number of accessories such as bracelets, earrings, and necklaces. To give enough time to take pictures of these details, ask in advance that the bride collects all the details to a comfortable location. Although the bride usually wants the picture of the dress by itself, it doesn’t always happen with smaller details. If the bride chooses to take pictures of details when she uses it, then you don’t need to waste time preparing a product style shot from details that really will not care about.

5. How to photograph male accompaniment

Portrait of male accompaniment can make some of the most fun and interesting images from that day. Just remember, whether they pose like an editorial model of GQ or play -playing, use lighting, pose, framing, or other ways to ensure that the groom is not lost in the group.

Here are some tips for photographing the groom and male accompaniment.

Portrait of indoor and/or outdoor –

 for portraits in the room, choose a location with good lighting, maybe near a large window (or several), and make sure the background is clean such as malibu wedding photographer. Having good lighting and clean background is also ideal when photographing outdoors, so be sure to search in advance and use applications like Sun Seker to ensure that lighting will be optimal at the location you have chosen.

6. How to photograph the bride and groom

Although there are many similarities between photographing male accompaniment and bride and groom, there are some different differences as well. Follow these tips to take pictures of the bride and bride and groom.


Pose for the bridal party must highlight femininity, curve, and softness. Here are some important points to help guide you to create a flattery, feminine, for all brides.

Narrow attitude

  • One knee crosses the center to make more hourglass
  • The hips are kicked to one side
  • Hands pose with purpose or rest
  • Casual joints
  • Extended neck (a little)
  • Chin down/eye up (softness)
  • Chin up/eye down (strength)
  • Run the heel on the foot

Soft lighting – Soft light is light that has been spread through light changes (such as soft boxes or thin curtains), either inside or outside the camera, and generally produce fewer shadows (or softer, less contrast). For more information about light modifications outside the camera, see fifteen converters of our favorite off-camera flash lights in this article!

Placement of Groups – When placing the bride and brides and brides to the position for group portraits, place the VIPs closer to the bride (Maid of Honor, family members, etc.) and watch the contact point between the bridal party.

Touch Point – Make sure that the bridal party is connected, but they must not overlap with each other more than 20% unless ordered to do it for certain pose (such as group hugs).

Multiple Expression-After the bridal party is in a position, mixed pose and expression by making micro adjustments. This is as simple as asking for a bridal party to see the camera, see the bride and lean on her, or just start laughing out loud, which usually produces original laughter.

Leave a Reply

Your email address will not be published. Required fields are marked *